B.o.B has always been a rapper with more pop sensibilities than most. Only he can work with such mainstream artists such as Bruno Mars, Taylor Swift and Hayley Williams of Paramore and still keep the respect of the streets.
On Underground Luxury, B.o.B's third album he stays away from mainstream guest appearances. Aside from Chris Brown, T.I. and Priscilla Renea the guests are far more, well, underground. While this is definitely his worst album, it's still a good record. Some of his solo songs blend together, but most of the songs are memorable.
The two best songs are the singles "John Doe" which features Priscilla Renea and "Headband" which features 2 Chainz. "John Doe" is by far the best song though. It features Renea singing a chorus of sadness playing John Doe's love interest While B.o.B plays the addict.
"John Doe, I just want the John I know/ Once you put the drinks on hold/ Maybe you could come back home/ John Doe," Renea sings sadly during the chorus.
This is the best song and with a song this good it makes the other songs sound like filler. Most of the songs blend together and are broken up by the memorable songs like "Ready" which features Future, "Coastline," "Wide Open" which features Esther Dean and "We Still In This Bitch" which features T.I. and Juicy J.
Without these songs the record would be nothing more than filler and background music. The problem is that B.o.B is that he works better with a guest appearance on the song. He works better with a Taylor Swift, Nicki Minaj or Rivers Cuomo like on is first two albums. For his next record he would do good to have more guest appearances to help him hold his own.
Britney Spears has always had hints of personal moments in her music. From her smash single "Everytime" off of her 2003 fourth album In the Zone in which Spears regrets the pain she caused ex Justin Timberlake to "Piece of Me" off of her 2007 comeback album Blackout. While the later wasn't even composed by Spears, it struck a chord with her. While the album isn't as personal as we were led to believe it does shed light on Spears' life, she had a hand in writing all of the songs on it.
So earlier in the year when Spears announced her eighth album and said that it would combine all of her previous records, including the "personal" Circus, fans were excited. In September Spears released the first single "Work Bitch" which is all about positive thinking and confidence. The second single came two months later. "Perfume" is a very personal song about a love triangle. Both songs were written by Spears and got fans excited for Britney Jean, Spears' eighth record.
Released last week the album is far from Spears' best record, but it also isn't terrible. Spears starts the album off on a personal note with the Madonnaesque "Alien." The song is about Spears feeling like she is an alien and like she doesn't belong. Spears is rarely this honest with us. This song is experimental and could very well be an outtake from Madonna's Ray of Light. Up next is the first single "Work Bitch," the EDM anthem practically made for treadmills. After that is "Perfume." This song isn't Spears' best ballad but it's a great song.
Next up is "It Should Be Easy" which is a duet with will.i.am who had a song in producing many of the songs on this record. The duet is a quasi touching love song that has some touching moments and the dance breakdown after the chorus is just killer. Next up is another collaboration, "Tik Tik Boom" with T.I. This song shows off an experimental sound. The chorus has an urban thump to it but then during the verses Spears sings over a minimal beat with acoustic guitars. Both these songs are album highlights and would make great singles.
Next Spears gets sexy on "Body Ache." While this song isn't bad, it isn't the best sexy song Spears has had and it doesn't hold up next to the other songs. The song is followed up by the best song on the album "Til It's Gone." This song is a dancy number with elements of dubstep and lyrics about a breakup. This song should definitely be a single. It would tear up dance floors all over the world. Spears shows vulnerably on this song. The bridge is a very good example of this.
"All the memories I'm saving/ So your love is never fading/ Holding on my heart is breaking/ Can't let go," Spears sings.
On the next song, "Passenger," Spears is a little more upbeat. The song is about Spears' giving up control in a relationship. It's about falling in love after a hard breakup and Spears' vocals shine on this guitar driven rock/dance hybrid. Katy Perry and Diplo wrote this song and Diplo produced it.
Next up is the worst song on the album. The kind of pop, kind of country, kind of stupid "Chillin' With You." This song is a duet with her sister Jamie Lynn who out sings her sister ten fold. The song is silly and could be done without.
Spears closes the album out on a high note. "Don't Cry" is a ballad that is part "Everytime," part Adele's "Someone Like You." This song is a touching look at the end of spears engagement. This song is a great way to end the standard edition of this album.
The deluxe edition of the record has a few great songs. "Brightest Morning Star" is a touching love song and has Spears sounding less auto-tuned than usual. "Now That I Found You" is a quirky club anthem about finding love and it's a great song and both these tracks should have been on the actual album. "Hold On Tite" is a boring song that doesn't need to have ever taken place. "Perfume (The Dreaming Mix)" is a stripped back version of the second single that makes it sound more fragile.
While this album doesn't top Spears' best records Circus and Blackout, it is a great record that is better than her first three filler filled albums.
A Day to Remember self released their fifth album in October. Common Courtesy received a full physical release last month and it's more of the same for the band. The band, led by frontman Jeremy McKinnon, mix in elements of metalcore, pop-punk,, emo and post-hardcore to form a catchy and aggressive sound that is all their own.
While this record isn't the band's best, it is a step up from their last release What Separates Me from You, which had tons of filler and only a handful of great songs. While this record isn't as great as their best album, their sophomore release For Those Who Have Heart, it still reminds fans why this band is so great. The band mix in hardcore bangers, pop-punk anthems and emotional ballads. The band have gotten heavier on this release and with songs like "Sometimes You're the Hammer, Sometimes You're the Nail," "Violence (Enough Is Enough)" and "Life Lessons Learned the Hard Way" are all sure to open up mosh pits in the future and are signature A Day to Remember. "Best of Me" is for sure the album's best heavy song. The song mixes in pop-punk melodies and is what the band do best. The pop-punk inspired songs also shine. "Life @ 11" is a great example of this. The album's two best pop-punk songs are the first two on the album "City of Ocala" and "Right Back at It Again." These songs have the aggression of pop-punk and truly make the listener move. Some of the album's best tracks are the ballads. "I'm Already Gone," "End of Me" and the album's best song "I Surrender" are all emotional and soft while still maintaining rock elements. While most of the songs on the album are good some just don't hold their own next to such great songs. "I Remember" and "Dead & Buried" aren't as memorable as the other songs and could be done without. The rereleased version of this album has three bonus tracks. The acoustic opener of "Leave All the Lights On" soon starts out a bounce that recalls older Kelly Clarkson songs. This song is a pop-punk rocker that is a good addition to the album. "Good Things" is a kind of Blink 182 throwback that also adds to this record. "Same Book But Never the Same Page" is a good song but it isn't as good as some of the album's other great tracks and comes off as having been done before. All in all Common Courtesy is a great record and while it isn't the band's best album, isn't the worst thing they've done. It shows that even in adversity a band can stick together and make great music.
Metal titans Five Finger Death Punch released their phenomenal fourth record, The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1only four months ago and they're already back for more with the band's fifth record Volume 2. The album's both featured the band's signature heavy mix of groove metal and hard rock.
The album opens with three best songs on the record. "Here to Die" is a heavy and aggressive song that features the band on their signature sound of hard music with angry lyrics. "Weight Beneath My Sin" continues along the same route as the first track. "Wrecking Ball" continues along with the same intensity and aggression that is found on Five Finger Death Punch songs.
"I'm a motherfucking wrecking ball," singer Ivan Moody screams during the chorus.
The album then slows it down with the first single "Battleborn." This is a power ballad about the band's life on the road. The song shows a softer side of the band while still maintaining their edge. The album then picks back up with the next song "Cradle to the Grave." This is heavy and contains lots of fury and epic double bass drumming. The album keeps things going with "Matter of Time." This song may be the heaviest song on the album, but when most of the songs are so heavy it's hard to tell.
The album changes things up again on the next track "The Agony of Regret." This song starts out with a human heartbeat and then changes into an acoustic beat which gives the listener a small reprieve from the assault of the faster songs. This instrumental song is barely even two minutes and then segues nicely into the next track "Cold." This song starts out with pianos and Moody singing sadly. This song is a remake of a song by Moody's old band Black Blood Orchestra. The song soon picks up the pace and becomes a rocker.
Next up is "Let this Go" which keeps up the band's fast pace and is sure to start many a mosh pit. The chorus of this song is one of the best hooks on the album. It's so catchy and soulfully sang by Moody. "My Heart Lied" is an emotional cut about realizing that a relationship has come to an end and realizing that it wasn't really love. The song features Moody singing predominantly in clean vocals on this track. Next up is "A Day in My Life." The song is a good song but it sounds too similar to the band's other songs and this song has been done better by the band so many times.
The album closes with a cover of the folk song "The House of the Rising Sun." The band start it out as a slow ballad but then it becomes a rocker. Moody's vocals shine on this song, as well as all of the others.
While this album isn't as good as Volume 1, it is still a great record. Five Finger Death Punch always know how to write great songs and make killer albums. Hopefully they never quit or get lame like Otep, All That Remains or In This Moment did.
Lady Gaga released her third album Artpop this month and it is like her previous releases, amazing. It's got the fun sound of her debut The Fame, the deeper edge of her first EP The Fame Monster and the experimental side of her sophomore record Born this Way. While it isn't perfect, it isn't the worst thing Gaga has ever done.
The disc opens on an experimental note with "Aura." This acoustic, yet Middle Eastern inspired song is from the previews of her film debut Machete Kills. Gaga continues to mix in experimentation throughout the album. "Jewels N' Drugs" which features T.I., Twista and Too Short is a hip hop banger that is trap as fuck and is an album highlight. "MANiCURE" is a rock song that recalls Gaga's last record. Second single "Do What U Want" features R. Kelly and is an R&B song about pure sex. "Dope" is by far the best ballad Gaga has ever done and may be one of her best songs ever. The song contains electro rock elements and has Gaga giving us some of her most powerful vocals.
While the rest of the songs aren't as experimental, they are still mostly good. Whether channeling the goddess of love on "Venus," being vain on first single "Applause" or being just mean on "Swine," Gaga can do no wrong.
"Gypsy" is a great track with elements of rock and lyrics about finding happiness even while living like a gypsy and touring the world. The title track is a simple song that while not being the best song is still enjoyable. "G.U.Y." is an interesting role reversal in which Gaga wants to be the "girl under you" and wants to find her "G.I.R.L." or "guy I'm romancin' love."
Many songs discuss fame and glamour. While "Mary Jane Holland" is a great example of how Gaga does this well other songs like "Donatella" and "Fashion!" don't hold up as well. "Sexxx Dreams" is another song that while not about fame, isn't as well executed. These songs aren't bad, they're just silly. However the bad songs on here aren't half as bad as the bad songs on Born This Way ("Black Jesus + Amen Fashion," "Highway Unicorn (Road to Love)." While this album isn't her best work, it is still better than her debut. For a woman who has never made a bad album that is no small feat. Hopefully Gaga keeps up the great sounds for years to come so she can stay near the top where she belongs. This album is for sure the best pop album of the year. However with a new album out in a few weeks Britney Spears is coming for that title.
Gabriella Cilmi released her debut album Lessons to Be Learned in 2009 and while her music had an Amy Winehouse meets Duffy kind of sound it was original and resonated well. Despite releasing a great first album Cilmi didn't breakthrough as much as she could have. The next year Cilmi released her sophomore album Ten. While it wasn't released in North America it was still a decent album and even had one of her best songs, first single "On a Mission." The album featured a more new wave and pop-rock sound.
During the Spring of this year Cilmi released "Sweeter in History" which is the best song and served as a promotional single off of her third album The Sting. The single was a ballad about recalling the a relationship fondly after the fact when in reality the relationship wasn't that great. The album was actually released in the United States this month and had a more jazz inspired sound. While most of the songs are listenable, they're pretty boring.
Aside from "Sweeter" there are only a few other memorable songs. "Left With Someone Else" is a bluesy song about being used for sex. "Not Sorry" is a soulful number about a breakup in which Cilmi feels stabbed in the back. She knows that her lover isn't sorry for what he did to her. "Deep Water" is a gorgeous ballad in which Cilmi's vocals float over a gorgeous piano melody. "Don't Look Back" is an acoustic ballad in which Cilmi sings fragilely about the end of a love affair. The first single and title track is a faster R&B song that is nothing but sexual.
The other half of the album contains boring songs that aren't even worth mentioning. This record has great songs but it would be better if there were a few upbeat songs to even out the ballads. Hopefully on Cilmi's next album she makes more variety in the songs.
Sky Ferreira first rose to fame in 2010 with her singles "17," "One" and her best song "Obsession." Her album was due out but never came. In 2011 Ferreira released her first EP As If! which gave had another one of Ferreira's best songs "99 Tears." While the EP was strong it wasn't as good as it could have been. Then in 2012 Ferreira released her second EP Ghost. This album had a different alternative sound and even had an indie sound. The first single released was "Red Lips" which was co-written with Garbage singer Shirley Manson. The EP garnered her some more fans and more respect. Then last month Ferreira released her debut album Night Time, My Time. This record had a stronger indie rock sound and had some great songs. From the opener "Boys," the weird "Omanko" and the first single "You're Not the One" Ferreira shows that she is a good songwriter. While some of the songs aren't as great as others like the title track on tracks like "Ain't Your Right" and the rocking "Kristine" show that Ferreira is capably of making great songs. The weird title track shows Ferreira's weaknesses, a topic Ferreira isn't ashamed of tackling lyrically. "I Blame Myself" and album highlight "Nobody Asked Me (If I Was Okay)" tackle weakness. "You showed me all my weakness," Ferreira sings in "Ain't Your Right." The album's two best songs are "24 Hours" and "Heavy Metal Heart." "24 Hours" is a love song which features Ferreira singing about how she wishes the day wouldn't end when she gets to spend it with her love. "Heavy Metal Heart" isn't really metal but it does have some sick guitar chords. The song is about falling in love and turning her heavy metal heart beat. Ferreira goes to show us that she can make good songs into an album. While her other records had great songs, this album shows that she can make it as an artist.
