"Where I'm from it all goes wrong/ It's not like on the television/ The darkest days don't fade away/ Can't turn it off like television," Kills sings during this little interlude which is followed by a scream of frustration to end the song.
The album then goes into the first single "Problem." This guitar filled dance rocker is about being a badass, something Kills knows a lot about. The third track "Stop Me" takes on a softer more dance inspired sound. Kills talks about her daddy issues on this song, which is a theme she examines in detail on this record.
The next song brings back the guitar and swagger that is expected from Kills. "Boys Don't Cry" is a great song and it features Kills taking about a breakup. On the next track, the Hall & Oats sampling, "Daddy's Girl" Kills examines her relationship, or lack thereof with her father. Kills told Marie Claire Magazine about her childhood. " I have this awful riches-to-rags childhood story: When I was born, my family had a lot, but by the time I was 11, my dad had been accused of being a criminal and we were visiting him in jail. The police took everything.
That can explain the lyrics to many of the songs on this record. Two of the best songs on the album are up next. First is the second single "Saturday Night" which features lyrics about her troubled childhood and tinges of domestic battery. She eased the pain with going out and partying to forget about her issues. The song recalls Lana Del Rey and Robyn and is a great song. The next song, "Devils Don't Fly" is a gorgeous breakup song which is one of Kills' best songs to date and it contains the best lyrics. The song talks about the pain of losing a love and the hopeless feeling after a breakup.
The album loses steam on the next track "Outta Time." This old school soul sounding track isn't bad, but it's not as powerful as the other songs.
The album picks up on the next two songs. "Controversy" is a social commentary about the world we live in. It tackles drugs, criminals and a plethora of other topics. "Drink the Kool-Aide/ Don't drink the Kool-Aide," Kills sings during the chorus.
The next song is "Rabbit Hole" which recalls Gwen Stefani's second solo album. It has a very marching band, hip hop sound and is topically similar to "Problem." It recalls the sound and attitude of her debut.
"Watching You" is a breakup ballad that is decent, but nothing compared to the next track "Marlboro Lights." This track is a gorgeous ballad which deals with medicating after the end of a breakup. The track is about not being able to escape the memory of a past love. This along with "Devils Don't Fly" are the perfect breakup song.
The final track is the title track and a decent song. It recalls Lana Del Rey and Taylor Swift, melding the two into a good closer. By the time that this song comes about, it's too late and overplayed.
Natalia Kill is the most underrated pop artist out there. She is nowhere near being as big as she deserves.